A pair of ladies’ white leather glacé gloves with fine Brosser outseam stitching, made in France in the 1970’s for formal evening wear. Embroidered with seven beaded stars spaced along the back of each glove.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated by Joseph Winton, who was marketing director of Tréfousse, London in February 2008.
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A pair of ladies’ white leather glacé gloves with fine Brosser outseam stitching, made in France in the 1970’s for formal evening wear. Embroidered with bold swirling lines of sequins along the entire length of the back of each glove.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated by Joseph Winton, who was marketing director of Tréfousse, London, in February 2008
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A pair of ladies’ white leather glacé gloves with fine Brosser inseam stitching, made in France in the 1970’s for formal evening wear.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated by Joseph Winton, who was marketing director of Tréfousse, London, in February 2008.
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A pair of ladies’ red buffed grain suede leather gloves with fine Brosser outseam stitching, made in France in the 1970’s for formal evening wear.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated by Joseph Winton, who was marketing director of Tréfousse, London, in February 2008.
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A pair of ladies’ yellow buffed grain suede leather gloves with fine Brosser outseam stitching, made in France in the 1970’s for formal evening wear.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ black suede leather gloves with fine Brosser outseam stitching, made in France in the 1970’s for formal evening wear.
Embroidered with seven small crystal studs spaced along the back of each glove, ending in two rows of bold feather-shaped black beads.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ black suede leather gloves with fine Brosser outseam stitching, made in France in the 1970’s for formal evening wear.
Along the back of each glove are intertwined lines of black embroidery and sequins incorporating leaves and flowers with crystal centres.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ black suede leather gloves with fine Brosser outseam stitching, made in France in the 1970’s for formal evening wear.
Along the entire length of the back of each glove runs a thin curling branch with sprigs and crystal centred buds and flowers.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ black suede leather gloves with fine Brosser outseam stitching, made in France in the 1970’s for formal evening wear.
Along the entire length of the back of each glove trails a swirling line of beaded foliage.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ black suede leather gloves with fine Brosser outseam stitching, made in France in the 1970’s for formal evening wear.
Along the back of each glove are six spaced beaded clusters each made up of four small orange fruits.
15 B.L. with three button mousquetaire wrist opening. The gloves are a perfect example of elegance and high quality workmanship.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ black leather gloves with Brosser inseam stitching, made in France in the 1960’s for semi-formal day or evening wear.
A shortie glove with an unusual cuff, which has been padded to form a ring held in place by a palm vent and secured with a single button and leather loop.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ cream leather glacé gloves with full pique stitching, made in France circa 1960’s for day wear.
A neat plain glove given a sporty look by the use of a narrow band of crochet edging which runs from the curved top along the side up to the tip of the fourth finger.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
A pair of ladies’ cream leather glacé gloves with full pique stitching, made in France circa 1960’s for day wear.
A neat plain glove given a sporty look by the use of a narrow band of crochet edging which runs from the curved top along the side up to the tip of the fourth finger.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ cream leather glacé gloves with full pique stitching, made in France circa 1960’s for day wear and special occasions.
9 B.L. On the back of each glove are embroidered a total of seven separate flowers each of a different colour.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ navy suede leather gloves with full pique stitching, made in France in 1960/1970’s for day wear and special occasions.
8 B.L. The back of each glove is embroidered with four orange lilies. The gloves have an older style of thumb.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ dark brown suede leather gloves with fine Brosser inseam stitching, made in France in 1960/1970’s for day wear and formal occasions.
8 B.L. A special feature of this pair is the ruched triangular flap at the elbow end of each glove. It is held in place by an imitation jewel consisting of a polished brown stone set in a circle of crystal
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ light pink suede leather gloves with full pique stitching, made in France in 1960/1970’s for evening wear.
9 B.L. On the back of each glove there are two decorative appliqués each made up of hundreds of tiny shiny sequins.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ yellow suede leather gloves with full pique stitching, made in France in 1960/1970’s for elegant daywear.
6 B.L. Along the back of each glove are spaces five small embroidered sunflowers with brown beaded centres, and with a single brown bead attached to the end of each petal.
Donated by Joseph Winton, who was marketing director of Tréfousse, London, in February 2008
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A pair of ladies’ cream leather glacé gloves with full pique stitching, made in France in 1960/1970’s for evening wear.
7 B.L. A stylish and unusual glove which has a shaped cuff with a flamboyant bold gold-edged flounce.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ pink suede leather gloves with full pique stitching, made in France in 1960/1970’s for elegant daywear.
6 B.L. The back of the glove has a delicate trailing chainstitch embroidered motif which incorporates stylised leaves. The cuff is in the shape of a long bow, the doubled half of which is embroidered to match the motif on the back of the gloves.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ black suede leather gloves with full pique stitching, made in France in 1960/1970’s for daywear.
4 B.L. The glove has a turnback triangular lime green contrast cuff with a heavily metal embroidered motif. A black tassel is attached to each of the two points of the cuff.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ cream leather glacé gloves with full pique stitching, made in France in 1960/1970’s for special occasions.
5 B.L. On the back of each glove there is a long sprig of tiny clear bugle-beaded embroidery. The top of each glove is turned back and edged with gold piping.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ black leather gloves, glacé palm, suede back, with full pique stitching, made in France in 1960/1970’s , for daywear.
2.5 B.L. with lime-green contrast shaped turnback cuff and central black tassel.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ cream leather glacé gloves with full pique stitching, made in France in 1960/1970’s , for daywear.
Shortie, very pretty cuff consisting of many different coloured small leather flowers. The cuff has been padded to form a ring held in place by a palm vent and secured with a single covered leather button and leather loop.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ cream leather glacé gloves with fine Brosser outseam stitching, made in France in 1960/1970’s , for daywear.
Shortie, turned back cuff, both edges piped with gold between which there are three star shaped clusters of clear bugle beads. A long palm vent.
Donated in February 2008 by Joseph Winton, who was marketing director of Tréfousse, London.
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A pair of ladies’ green leather glacé gloves with Brosser outseam stitching, made in France in 1950’s , for daywear.
4 B.L. Classic style, three points, cut top. Brush dyed leather. Gloves manufactured by Tréfousse and Company, Chaumont.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ biscuit coloured stretch nylon fabric gloves with half pique stitching, made in France in 1970’s , evening wear.
7 B.L. Classic. Made by Neyret, France.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ deep pink stretch nylon fabric gloves with half pique stitching, made in France in 1970’s for evening wear.
7 B.L. Classic. Made by Neyret, France.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ mushroom coloured suede leather gloves with full pique stitching, made in France, possibly, in 1950/60’s, daywear.
2.5 B.L. Classic, 3 points, side vent with small gusset.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ mushroom coloured suede leather gloves with full pique stitching, probably made in France circa 1910; daywear.
4 B.L. Four and a half inch wrist opening fastened by three buttons and button holes. Three heavy points. Stamped inside “Pemberthy, Oxford Street, Court Glover, Highest awards Grand Prix Gold Medal”.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ black suede leather gloves with Brosser inseam stitching, made in England in 1960/1970’s, for cocktail/evening wear.
7 B.L., brush dyed, the back of the gloves embroidered with seven spaced sprays of Bugle-beaded flower heads.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ cream imitation peccary leather gloves with full pique stitching, made in England in 1960/1970’s, for daywear.
2 B.L., flared cuff. With a contrasting black leather bow on plain black narrow leather strapping.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ white nylon fabric gloves with inseam chainstitch, made in 1960/1970’s, for daywear.
Shortie glove, the whole of the back is covered with tiny beads, and a heavily beaded scalloped trimmed edging at the cuff.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ leather glacé gloves with white palm, fourchettes and half thumb; pink back on half thumb. Full pique stitching. Made in France in 1970’s, for daywear.
A beautiful pair of gloves made by Gants Chanut and designed by Pierre Cardin, one of the leading couturies during the 1970’s and 1980’s. The pale pink back is superimposed onto a contrasting white cuff. This is an abstract pattern onto which two small additional pink motifs have been appliqued.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ white cotton simplex gloves with inseam chainstitch. Made circa 1960’s, for daywear.
Fine quality cotton simplex palm. The woven cotton back is printed with green- leaved pink roses. The gloves look crumpled when laid flat because the palm is a knitted fabric and the back is woven, they look pretty when on the hand.
Purchased via Ian Shave in March 2008.
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A pair of ladies’ black leather glacé handsewn gloves. Made in 1994 for special occasions.
Designed and made by Lady Phyllis Smith, wife of liveryman Sir Brian Smith, as part of her City and Guilds Creative Embroidery Course.
Donated in April 2009 by Lady Phyllis Smith
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A pair of men’s tan peccary hogskin leather handsewn gloves, made in Canada in the 1970’s, for daywear.
Classic gloves of their kind.
Donated in June 2009 by Liveryman Christopher Dadson
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A pair of ladies brown leather glacé gloves, with inseam Brosser stitching, made in England in the 1970’s, for daywear.
Made by Miloré in Worcester. A fine example of classic gloves from this top quality British manufacturer. 5 B.L. No points.
Donated by Mrs E. Hornig in August 2009
A pair of ladies navy leather glacé gloves, with inseam Brosser stitching, made in England in the 1970’s, for daywear.
Made by Miloré in Worcester. A fine example of classic gloves from this top quality British manufacturer. 5 B.L. Three points.
Donated by Mrs E. Hornig in August 2009
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A pair of ladies brown leather glacé gloves, with inseam Brosser stitching, made in England in the 1970’s, for daywear.
Made by Miloré in Worcester. A fine example of classic gloves from this top quality British manufacturer. 3 B.L. Three points.
Donated by Mrs E. Hornig in August 2009
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A pair of ladies navy leather glacé gloves, with inseam Brosser stitching, made in England in the 1970’s, for daywear.
Made by Miloré in Worcester. A fine example of classic gloves from this quality British manufacturer. 2 B.L. No points.
Donated by Mrs E. Hornig in August 2009
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A pair of ladies navy leather glacé gloves, with inseam Brosser stitching, made in England in the 1970’s, for daywear.
A ‘shortie’glove, 1 B.L., with an inverted V shape welted top.
Made by Miloré in Worcester. A fine example of classic gloves from this quality British manufacturer.
Donated by Mrs E. Hornig in August 2009
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A pair of ladies brown leather glacé gloves, with inseam Brosser stitching, made in England in the 1970’s, for daywear.
A ‘shortie’glove, with six sunray points on the back.
Made by Miloré in Worcester. A fine example of classic gloves from this top quality British manufacturer.
Donated by Mrs E. Hornig in August 2009
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A pair of ladies chamois yellow leather gloves, with half pique chainstitch ( inseam), made in England in the 1950/1960’s, for daywear.
2 B.L. and three points. Chamois leather, available only in white or natural chamois colours, were at the time the only easily washable gloves available.
Donated by Liveryman Christopher Dadson in November 2009.
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A pair of ladies yellow cotton simplex gloves, with chainstitch inseam, made in England in the 1950/1960’s, for daywear.
Classic 2 B.L. and three points. The colour and classic style give the appearance of the more expensive real chamois leather glove
Donated by Liveryman Christopher Dadson in November 2009.
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A pair of men’s gloves, with tan leather palm and beige cotton back with prixseam stitching made in England in the 1950/1960’s, for driving and countrywear.
Heavy crochet back and knitted wool lining. A popular style during this period, labelled ‘Fownes Rally’
Donated by J. Paxton Esq. in November 2009.
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A pair of men’s brown leather glacé gloves, handsewn, made in England in the 1960/1970’s, for general wear.
Although this is a classic style, this pair is a particularly fine example of Worcester craftsmanship. Top quality soft leather, superior wool lining, generous length and beautifully handsewn, made by Morley.
Donated by J. Paxton Esq. in November 2009.
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A pair of ladies dark grey leather glacé gloves, with full pique stitching, made in England in the 1950/1960’s, for day wear.
Fine lightweight leather, unlined, 5 B.L., made by Boulton’s, a long established leading west country glove maker. Boulton Brothers developed and patented the Boulton thumb, now universally used for many quality leather gloves.
Donated by Liveryman Douglas Sweet in March 2010..
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A pair of ladies burgundy coloured swede leather gloves, with Brosser outseam stitching, made in England circa 1970’s, for day wear.
2.5 B.L., three points, classic style.
Donated by Mabel Hamett in July 2010..
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A pair of men’s biscuit coloured leather, grain side, gloves, with prixseam stitching, made in England in the 1940’s, for day wear.
These gloves reflect the austerity of the early post war years. They show the CC41 Utility Mark which regulated prices but did not always guarantee quality.
Donated by Tom Hickling in September 2010.
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A pair of ladies biscuit coloured cotton gloves, with inseam chainstitch, made in England in the 1980/1990’s, for day wear.
5.B.L. Fully shrunk cotton simplex with leather fourchettes. The top quality fabric gives the look and feel of suede helped by the use of the leather fourchettes. This was a speciality of Cornelia James who held the Royal Warrant.
Donated by Liveryman Christopher Dadson in November 2010.
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